Journalist, science writer, storyteller
Originally written for Exeunt. What do we expect when we go to a gig? When we read a love poem? When we see a play? These expectations are not necessarily divergent, but it is in their congruency that nabakov have plucked at an interesting set of pre-conceptions surrounding the depiction of relationships and honesty; where … Continue reading Symphony
Originally written for Exeunt The projected silhouette of a caravan looms large over proceedings in Our Big Land, underscoring both its idolisation by the community and its inherently less positive symbolism in the wider world. It encapsulates the Romany ideal of freedom as articulated by Oceania (Robyn Moore) – it’s important to have wheels, even if you … Continue reading Our Big Land
Originally written for Exeunt A call to witness the end of the world. A delicate bracelet tied to your wrist. A programme printed on a sealed envelope. Waiting in the muted vestibule of the stunning and historic St. Leonard’s Church, surrounded by candles. Everything about the preamble to Sun builds up anticipation, readies you for a unique … Continue reading Sun
Originally written for The Public Reviews “This is our stage” is very much the motto of the evening at LIFT’s 2014 launch, as artists and members of the team gesture at the stunning cityscape of London spread beneath Centrepoint’s 31st floor. This year’s programme will encompass more of the city than ever before in their … Continue reading LIFT 2014 Launch
Originally written for The Public Reviews There’s something almost stingingly ironic about being told at the beginning of a performance about human rights abuses that all of the cast and crew have been paid Equity minimum rates. It’s an undoubtedly excellent achievement for a small venue and a strong statement to make in the current … Continue reading Sochi 2014
Originally written for Exeunt Forming part of The Faction’s current repertory season at the New Diorama, and a further step on their journey to stage all of Schiller’s works, this production of his first play, The Robbers, strives for modernity, and goes some way to achieving it. Mark Leipacher’s staging is polished and highly physical, but perhaps … Continue reading The Robbers
Mary Halton 