Originally written for The Public Reviews Transferring from its successful run at the Almeida last year, Richard Eyre’s adaptation of Ghosts gives all impression of bursting on to the stage, but more truthfully edges in quietly from the wings and takes a little time to settle itself before delivering what may already be one of … Continue reading Ghosts

American Psycho

Headlong’s long-anticipated American Psycho has not met with universal acclaim. Since the production’s announcement, and perhaps more so since the casting of Matt Smith, there has been an air of profound curiosity and mild foreboding confusion surrounding critical expectations. For most, some experience of a version of American Psycho has previously entered their cultural awareness; I … Continue reading American Psycho